Beige Morris & Co Wallpaper

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876

The classic Willow Boughs designed in 1887 characterises Morris pre-eminent flair for design and composition with sinuous lines and subtle tone.

The classic Willow Boughs designed in 1887 characterises Morris pre-eminent flair for design and composition with sinuous lines and subtle tone.

Easy to find exactly what I needed. A rare product. Quick delivery. Thank you. Anonymous. Sat Nov 30 2024

Fruit or Pomegranate as it was originally known was one of Morris earliest wallpapers first produced in 1864.

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

Morris created stunning patterns which worked equally well when applied to wallpaper and fabric. This design from 1875 is one such pattern with versatility and an enduring appeal at its heart.

A small scale all-over repeating design Mallow`s hibiscus (mallow) flowers which can be seen on the walls at Standen House in Sussex are the ideal choice for all four walls. Use this elegant wallpaper as a coordinating pattern to other Morris & Co. designs.

Whimsical and full of nostalgic charm, symmetrical plant motifs are arranged in a formal design over this wallpaper typical of the Arts & Crafts style. Originally designed by J.H. Dearle in 1904, this wallpaper is mainly produced in light, airy colourways with one dramatic charcoal colourway with contemporary appeal.

This much-loved Morris wallpaper design has been simplified and re-painted using three colours, which brings a gentle sophistication to an interior and a contemporary flavour to this classic design.

Beautiful wallpaper, delivered quickly and safely. Very happy.. Nigel. Salisbury, GB. Sun Nov 30 2025

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

An intricate background pattern of hawthorn leaves with blossom covers this wallpaper with a meandering trail of jasmine printed over the top. Designed in 1872 by William Morris, this wallpaper is inspired the embroidery fabric of the same name.

A pretty and subtle all-over leaf design lifted from the background of our Lily wallpaper. An excellent choice for all four walls, Standen accessible colours, pairing perfectly with the entire Morris & Co. fabrics range. This wallpaper was reprinted in 2017 for a restoration project at Standen House in Sussex.

A new addition to the Morris & Co. wallpaper range, Emery's Willow features unmistakable bubble-like shapes as a backdrop, introducing an element of play to this 1874 design. The willow tree, with its delicately entwining branches and curling leaves, is a motif William Morris returned to throughout his creative life. Emery's Willow is inspired by a wallpaper design hung in the drawing room of esteemed typographer, book printer and friend of William Morris, Sir Emery Walker. It re-enters the Morris & Co. range as a result of the collaboration collection between Morris & Co.

A beautiful, monotone wallpaper featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways. A beautiful, monotone wallpaper featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways. Also available as a fabric of the same name.

First produced as a wallpaper in 1864, Fruit is one of Morris`s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this surface printed wallpaper a lovely hand block printed look.

This charming wallpaper from 1882 has been reproduced to allow the application of special printing techniques, including grit and mica, giving relief and texture to this two-colour wallpaper design.

One of the most recognisable of all Morris designs, this all-over wallpaper was designed in 1874 and predates the more intricate Willow Boughs by 13 years.

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls.

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls. A fabric of the same name is also available.

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls.

Morris & Co. created five ceiling papers, and this is one of them. Originally designed in 1895, this wallpaper depicts cornice work and forms a bold, graphic design in grid-like formation. This pattern has been machine printed for the first time and is available in mostly light colourways with a dramatic black and gold colourway for contemporary homes.

Chrysanthemum was originally designed as a wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recoloured here to sit alongside the Simply Morris collection.

Iain. Crieff, GB. Fri Jul 18 2025

Redrawn and refined from the original Indian Diaper block print wallpaper of 1875, this wallpaper design features a trellis pattern with a slightly worn and irregular textural effect reminiscent of the irregularities found in block printing. Produced in confident colourways, this design is the perfect pattern for smart reading rooms and hallways.

Intertwining roses and meandering flowering carnations meander over this wallpaper creating a vertical pattern repeat. Originally conceived in 1890 by Morris, it was hand-printed using two sets of wood blocks and this reinterpretation is available in delicate floral colourways to bring the garden inside.

Whimsical and full of nostalgic charm symmetrical plant motifs are formally arranged over this wallpaper typical of the Arts & Crafts style. Originally designed by J.H. Dearle in 1904 Meadow Sweet takes beautifully to its light airy colourways but truly stands out with colour-rich Blush and Mineral Blue.

Always recognising that true beauty has its thorns J.H. Dearle designed Sweet Briar in 1912. Depicting the small rose heads flowering pleasantly amongst the barbed stems this is the tender yet honest view of nature that characterised the Morris & Co. output under Dearle and Morris. Three unique colour stories range from the naturalistic to the fanciful.

Carefully reworked from the original Kathleen Kersey design created on the eve of World War I this wallpaper features stems leaves and berries in rich colourways replicating the deep tones of the original and introducing sophisticated neutral versions for a lighter look.

Daisy was the first wallpaper to be produced by Morris & Co. and was inspired by medieval illustrations. Morris created this design after embroidering daisy motifs on wallhangings for the Red House. This version retains the naively drawn daisies and ranunculuses of the wallpaper but has been simplified by the removal of background tufts of grass

Beautiful William Morris wallpaper! The design is timeless and elegant, and it has completely transformed the back of a vintage cuoboard. Gorgeous quality and I’m absolutely delighted with it!. A. London, GB. Sat Aug 08 2026

One of the prettiest Morris wallpaper designs with delicate flowers floating amongst spiralling leaves set upon a background of dainty dots. William Morris revised the original design in 1875 which required 12 wood blocks, producing a of great depth and rich in colour.

Scrolling acanthus leaves and flowers adorn this wallpaper, adapted from an embroidery designed in the 1890s by J. H. Dearle.

Inspired by an archive pattern book with Batchelor`s Button on the cover, we`re proud to say this design was the catalyst for Ben Pentreath`s Morris & Co. x Queen Square collection. Given a modern twist and an undeniable vibrancy, dramatic swirling leaves, painted in the style of a medieval fresco, coil around this showstopper of a wallpaper.Â

This charming wallpaper from 1882 has been reproduced to allow the application of special printing techniques, including grit and mica, giving relief and texture to this two-colour wallpaper design.

Newly reimagined from an original fabric Bamboo has been adapted from a design by E.W. Godwin in 1872 for wallpaper. Like William Morris Godwin was dedicated to beautifying the home with Oscar Wilde referring to him as “one of the most artistic spirits of this century in England.” Godwin was also highly influenced by Japanese design and often used bamboo motifs in his work. Here Bamboo is available in contrastingly warm and cool colourways.

Morris & Co. are thrilled to re-introduce Wallflower, an 1890 wallpaper design created by William Morris. Scrolling acanthus leaves foreground tenderly rendered wallflowers, creating a pattern of enormous energy and vitality. Dark spots offer the paper a layer of texture whilst the whitened foliage introduces an almost sculptural quality. Wallflower is inspired by the wallpaper hung in the drawing room of esteemed typographer, book printer and friend of William Morris, Sir Emery Walker. Wallflower returns to the Morris & Co. range after many years as a result of the collaboration collection between Morris & Co.

Designed by William Morris in 1877 Chrysanthemum is which emphasise the winding chrysanthemums against a foliage background.

This understated wallpaper depicts Persian, overblown flowers climbing in a trailing pattern with softened edges. The pattern was based on a carpet designed by John Henry Dearle in the 1890s

This design from 1875 is hugely versatile working with ease in any part of the home. Chocolate the closest colourway to the original archive document is Bens take on a neutral tone. Contrast with the strength of Aqua a real statement piece filled with saturated and regal hues.

This understated wallpaper depicts Persian, overblown flowers climbing in a trailing pattern with softened edges. The pattern was based on a carpet designed by John Henry Dearle in the 1890s

Trailing leaves and marigold flowers meander over a background of smaller leaves taken from the Branch wallpaper. Inspired by medieval book illuminations and designed by Morris in 1871, this wallpaper is infinitely useable and relaxed.

Dramatic swirling leaves coil around on this monochrome wallpaper. The Morris & Co. studio enlarged the original 1892 design and painted it in the style of medieval frescos with dramatic effect creating a show stopping, 140cm width wallpaper.

The distinctive owl in this cheerful Morris & Co. wallpaper of scrolling leaves and berries was inspired by an embroidered bedcover from 1905. Along with its complementary embroidery and print of the same name Newill evokes the pleasures of a countryside walk.

For Morris, tapestry was the highest form of decorative art. Inspired in part by J. H. Dearle`s The Brook Tapestry and the friezes that sit beneath the Holy Grail Tapestries, this wide-width wallpaper design recreates the crispness and beautiful detail of medieval tapestries. Printed in two colourways and sold by the metre.

A simple, two-toned design of infinite possibilities, Yew & Aril is a seamless choice as a coordinate fabric. A wonderful colour carrier, Yew & Aril`s small-scale design by Alan Francis Vigers describes the quiet beauty of the branches of a Yew tree and its charming berries, known as arils.

First produced in 1884, this opulent wallpaper design features a striped meandering diagonal branch from which flowers emanate. The original would have needed 32 blocks to print it. Todays version is available in a stunning array of colourways including an icy stone version, perfect for all walls of the room. Take a look at the fabric of the same name.

Taken from our archive this design was originally a ceiling paper by Arts and Crafts designer Andrew Brophy (1844-1912). We`ve recreated the structure of the trellis and added flowers and leaves from one of May Morris`s original designs to create Brophy Trellis an incredibly usable design which pairs beautifully with other Morris & Co. fabrics and wallpapers.

Beauty conveyed in its tranquil colourways and complexity of design, this wallpaper is one of the most popular handprinted Morris & Co. wallpapers, designed in 1881. Created using the original blocks, this wallpaper is a gentle way of introducing a Morris design into the home.

Over-sized, simplified thistle heads framed by scrolling leaves adorn this all-over wallpaper, echoing the neo-Gothic influence of early Morris & Co. Produced in cool colourways and a contemporary Black Ink version, this wallpaper is a modern take on a classic design.