Paper Morris & Co Wallpaper

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876

Introducing a brand-new design from Morris & Co. Delivered to the Birmingham Society of Arts on February 19th 1880, The Beauty of Life is the lecture title of William Morris`s passionate appeal against the ill effects of industrialised capitalism. This rallying cry is forever immortalised on a high-drama wallpaper, ornamented with quintessentially Morris motifs; scrolling foliage, chattering birds and beautiful script inspired by his own Kelmscott Press. The Beauty of Life is introduced to the Morris & Co. range for the Emery Walker`s House collection. The lettering is inspired by William Morris`s own book-printing press, The Kelmscott Press, a feat he realised with the unwavering support and guidance of expert typographer, Sir Emery Walker.

Dramatic swirling leaves coil around on this monochrome wallpaper. The Morris & Co. studio enlarged the original 1892 design and painted it in the style of medieval frescos with dramatic effect creating a show stopping, 140cm width wallpaper.

The classic Willow Boughs designed in 1887 characterises Morris pre-eminent flair for design and composition with sinuous lines and subtle tone.

The classic Willow Boughs designed in 1887 characterises Morris pre-eminent flair for design and composition with sinuous lines and subtle tone.

Easy to find exactly what I needed. A rare product. Quick delivery. Thank you. Anonymous. Sat Nov 30 2024

Fruit or Pomegranate as it was originally known was one of Morris earliest wallpapers first produced in 1864.

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

Morris created stunning patterns which worked equally well when applied to wallpaper and fabric. This design from 1875 is one such pattern with versatility and an enduring appeal at its heart.

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

A small scale all-over repeating design Mallow`s hibiscus (mallow) flowers which can be seen on the walls at Standen House in Sussex are the ideal choice for all four walls. Use this elegant wallpaper as a coordinating pattern to other Morris & Co. designs.

Whimsical and full of nostalgic charm, symmetrical plant motifs are arranged in a formal design over this wallpaper typical of the Arts & Crafts style. Originally designed by J.H. Dearle in 1904, this wallpaper is mainly produced in light, airy colourways with one dramatic charcoal colourway with contemporary appeal.

Magnificent oversized artichoke motifs create drama and impact on this wallpaper design, originally designed as a multicoloured wallpaper by John Henry Dearle in 1898. Reintroduced in a stunning monotone version, use this wallpaper in both classic and contemporary settings.

Large design which is quite busy but used for a feature wall so perfect. Described as yellow but when you look closer it is really Loam, which is an earthy colour with hints of gilver. Very happy.. Anonymous. Mon Oct 07 2024

A stylised pattern of blackberry briars with berries and white flowers cover this wallpaper designed in 1879 by Kate Faulkner - a talented sister of one of the partners of Morris & Co.

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

Daisy was the first wallpaper to be printed by Morris & Co. in 1864 and displays an unusually flat arrangement of naively drawn wild daisies on tufts of grass. Morris had previously used the daisy motif when embroidering wallhangings for his home Red House and for decorating hand-painted ceramic tiles an early enterprise of Morris Marshall Faulkner & Co. This charming wallpaper has been faithfully reproduced from original wallpapers in the Morris & Co. Archive.

Delighted. Dianne. Southport, GB. Sun Jun 08 2025

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

An intricate background pattern of hawthorn leaves with blossom covers this wallpaper with a meandering trail of jasmine printed over the top. Designed in 1872 by William Morris, this wallpaper is inspired the embroidery fabric of the same name.

Brer Rabbit also known as Brother Rabbit was inspired by a 17th century Italian silk first registered for fabric production in 1882 and named after the Uncle Remus childrens books popular at the time. The wallpaper has been reproduced from the original fabric and comes in a range of colours to co-ordinate with a new range of textiles.

A new addition to the Morris & Co. wallpaper range, Emery's Willow features unmistakable bubble-like shapes as a backdrop, introducing an element of play to this 1874 design. The willow tree, with its delicately entwining branches and curling leaves, is a motif William Morris returned to throughout his creative life. Emery's Willow is inspired by a wallpaper design hung in the drawing room of esteemed typographer, book printer and friend of William Morris, Sir Emery Walker. It re-enters the Morris & Co. range as a result of the collaboration collection between Morris & Co.

Arbutus was designed by Kathleen Kersey a member of the Morris & Co. design studio on the eve of the First World War in 1914. Perfectly capturing the Morris & Co. style this was one of two patterns Kersey created for wallpaper.

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876

A beautiful, monotone wallpaper featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways. A beautiful, monotone wallpaper featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways. Also available as a fabric of the same name.

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876

One of the most recognisable of all Morris designs this simple all-over wallpaper was first produced in 1874 and predates the more intricate Willow Bough by 13 years. Chosen by Ben Pentreath for its smaller scale and recoloured to match his creative vision the neutral sunshine yellow of this soft interpretation introduces a more contemporary feel.

One of the most recognisable of all Morris designs, this all-over wallpaper was designed in 1874 and predates the more intricate Willow Boughs by 13 years.

Morris & Co. created five ceiling papers, and this is one of them. Originally designed in 1895, this wallpaper depicts cornice work and forms a bold, graphic design in grid-like formation. This pattern has been machine printed for the first time and is available in mostly light colourways with a dramatic black and gold colourway for contemporary homes.

A wonderfully vibrant interpretation of the classic Willow Bough wallpaper designed in 1887 and characterising Morriss pre-eminent flair for design and composition.

Owen Jones was a Victorian architect designer and reknowned commentator on decorative ornament. His book The Grammar of Ornament published in 1856 was a stunningly illustrated catalogue encompassing every decorative style and influence from around the world. Owen Jones wallpaper depicting a simple fleur de lys a quintessential Jones motif first appeared in the Morris & Co. Volume III collection. This universally recognised geometric trellis design is available in both rich and neutral colourways and provides a wonderful backdrop to the Morris prints and weaves.

Redrawn and refined from the original Indian Diaper block print wallpaper of 1875, this wallpaper design features a trellis pattern with a slightly worn and irregular textural effect reminiscent of the irregularities found in block printing. Produced in confident colourways, this design is the perfect pattern for smart reading rooms and hallways.

Inspired by an archive pattern book with Bachelors Button on the cover we`re proud to say this design was the catalyst for Ben Pentreath`s Queen Square Collection. Given a modern twist and an undeniable vibrancy dramatic swirling leaves painted in the style of a medieval fresco coil around this show-stopper of a wallpaper. P.S. Don`t forget the Bachelors Button fabric (it`s an exact match!)

A cheeky bird pecks at delicious strawberries on this enticing flock-effect wallpaper. Reproduced with subtle textures to retain the look of the original hand-printed design and also available as a printed fabric and embroidery.

Intertwining roses and meandering flowering carnations meander over this wallpaper creating a vertical pattern repeat. Originally conceived in 1890 by Morris, it was hand-printed using two sets of wood blocks and this reinterpretation is available in delicate floral colourways to bring the garden inside.

Always recognising that true beauty has its thorns J.H. Dearle designed Sweet Briar in 1912. Depicting the small rose heads flowering pleasantly amongst the barbed stems this is the tender yet honest view of nature that characterised the Morris & Co. output under Dearle and Morris. Three unique colour stories range from the naturalistic to the fanciful.

Whimsical and full of nostalgic charm symmetrical plant motifs are formally arranged over this wallpaper typical of the Arts & Crafts style. Originally designed by J.H. Dearle in 1904 Meadow Sweet takes beautifully to its light airy colourways but truly stands out with colour-rich Blush and Mineral Blue.

Whimsical and full of nostalgic charm, symmetrical plant motifs are arranged in a formal design over this wallpaper typical of the Arts & Crafts style. Originally designed by J.H. Dearle in 1904, this wallpaper is mainly produced in light, airy colourways with one dramatic charcoal colourway with contemporary appeal.

Scrolling acanthus leaves and flowers adorn this wallpaper, adapted from an embroidery designed in the 1890s by J. H. Dearle.

Daisy was the first wallpaper to be produced by Morris & Co. and was inspired by medieval illustrations. Morris created this design after embroidering daisy motifs on wallhangings for the Red House. This version retains the naively drawn daisies and ranunculuses of the wallpaper but has been simplified by the removal of background tufts of grass

Beautiful William Morris wallpaper! The design is timeless and elegant, and it has completely transformed the back of a vintage cuoboard. Gorgeous quality and I’m absolutely delighted with it!. A. London, GB. Sat Aug 08 2026

Strawberry Fields forever. A pick n` mix of lively, sugared colours arranged in bouquets of different florals. Originally created by William Morris in 1864, and one of the first wallpaper designs he ever made, its unique form was inspired by medieval floral miniatures Morris found in the British Museum.

Reimagined and recoloured this striking pattern was originally designed by William Morris in 1879. Go boldly with our statement Red or choose Chocolate for a Queen Square interpretation of something a little more minimal.

Brer Rabbit also known as Brother Rabbit was inspired by a 17th century Italian silk first registered for fabric production in 1882 and named after the Uncle Remus childrens books popular at the time. The wallpaper has been reproduced from the original fabric and comes in a range of colours to co-ordinate with a new range of textiles.

This design from 1875 is hugely versatile working with ease in any part of the home. Chocolate the closest colourway to the original archive document is Bens take on a neutral tone. Contrast with the strength of Aqua a real statement piece filled with saturated and regal hues. For something different the coral tones of Pink/Olive provide added intrigue.

Inspired by an archive pattern book with Batchelor`s Button on the cover, we`re proud to say this design was the catalyst for Ben Pentreath`s Morris & Co. x Queen Square collection. Given a modern twist and an undeniable vibrancy, dramatic swirling leaves, painted in the style of a medieval fresco, coil around this showstopper of a wallpaper.Â

Newly reimagined from an original fabric Bamboo has been adapted from a design by E.W. Godwin in 1872 for wallpaper. Like William Morris Godwin was dedicated to beautifying the home with Oscar Wilde referring to him as “one of the most artistic spirits of this century in England.” Godwin was also highly influenced by Japanese design and often used bamboo motifs in his work. Here Bamboo is available in contrastingly warm and cool colourways.

Carefully reworked from the original Kathleen Kersey design created on the eve of World War I this wallpaper features stems leaves and berries in rich colourways replicating the deep tones of the original and introducing sophisticated neutral versions for a lighter look.

One of the prettiest Morris wallpaper designs with delicate flowers floating amongst spiralling leaves set upon a background of dainty dots. William Morris revised the original design in 1875 which required 12 wood blocks, producing a of great depth and rich in colour.

Trailing leaves and marigold flowers meander over a background of smaller leaves taken from the Branch wallpaper. Inspired by medieval book illuminations and designed by Morris in 1871, this wallpaper is infinitely useable and relaxed.

Morris & Co. are thrilled to reintroduce Elmcote, a magnificently brooding 1900 design from designer, J.H. Dearle. Dearle`s training as William Morris`s tapestry apprentice is beautifully demonstrated here in Elmcote. With gallant seedheads and miniature flowers, the design is connected by swirling foliage arranged in a classically Dearle style. Elmcote re-enters the Morris & Co. collection due to the collaboration collection with , the historic home of noted typographer